Entrancing audiences: The Pendulum Always Swings Back to Stillness

Have you ever thought about how much attention you pay to your own attention? Jeroen Alexander Meijer has, and he began directing his artistic practice toward attention awareness.

“Attention is all you need.” Whether it be cooking a meal, making an artwork, or even meditating, every activity requires you to be attentive and conscious. It is a fundamental resource that defines human beings, but one that has been severely hindered in recent years, sparking a debate about increasingly shortened attention spans in today’s society and the role played by the introduction and daily use of mobile phones and other electronic devices or technological developments.

Steering through psychology, philosophy and cognitive science, Jeroen A. Meijer is a mindscape artist whose installations are interactive and multisensorial, with the ultimate goal of bringing the audience closer to acknowledging the intrinsic properties of our attention. The reason roots back to Jeroen’s own experience, especially with the start of the Vipassana meditation practice. Jeroen Alexander Meijer grew up with ADD (Attention Deficit Disorder) and faced countless problems when it came to concentration and focus.

The acknowledgment that he was not in control of his own attention span culminated with the start of his studies at the art academy, a time that went hand-in-hand with the start of the Vipassana practice. The more he practiced meditation, the more his works took the shape of challenging the audience’s attention span and meditation states.

Now, several years after completing his art studies, Jeroen Alexander Meijer’s practice continues to be profoundly shaped by his experiences. We met him at the iii workspace in Den Haag, where he had just set up his latest installation, which will premiere at this year’s Conflux Festival. We spent an afternoon together being enthralled by the pendulum and Jeroen’s words.

Interview by Mara Noto.

Welcome Jeroen. It’s your first time on the Conflux Festival lineup, could you tell us about the project you are working on?

The work I will be presenting is called Pendulum Always Swings back to Stillness, and it’s an installation which has been inspired by the practice of EMDR, which is short for eye movement desensitization reprocessing. It’s a therapy which was created by Francine Shapiro. She found out that having, bilateral attention stimuli, which is just a fancy word for a stimulus that moves from side to side, or your attention moving from side to side, can help us access really painful memories, in a way that is helpful and can heal our memory and related interpretation, again, of a past event.

What’s really interesting is that when we access those memories, deep in our mind somewhere, we usually get overwhelmed by them, but because we’re focusing on an external stimuli that is changing, we’re keeping a part of our working memory occupied. And the latter prevents us from being flooded by emotions.

And what kind of responses or experiences are you aiming for in the audience?

It’s very open to interpretation. For starters, I’m trying to get people into a trance, because I feel that these states of trance in which you’re completely present, but also strangely not completely in control, give us something valuable, and that’s very personal. I hope that the work stimulates people to question the movement of their attention, and to question what is really happening, and why is it triggering certain states.

Your multisensory work often involves machines. Is it a deliberate choice to use the same technology that’s often accused of hindering our attention?

I believe that digital devices are just tools. So, we can use new media to remediate our relationship to technology. We don’t have to use it to distract ourselves. We can use them actually to put ourselves in other states of mind or other states of being. So I think it’s a really short sighted conclusion to just say that for example, smartphones are bad, because smartphones are just a tool. And the way we use a tool influences how we start to behave. So if we decide we want to use this tool for different purposes, than, let’s say, distraction or watching advertisements, which we can do. We can decide that.

 

Ouroboros installation by Jeroen Alexander Meijer

Are there any future projects you’re working on?

I am currently working on a heat-based instrument because I’m also really interested in what it means to be embodied, and what is the relationship between mind and body, and why it is helpful to be connected to our bodies. I have been researching different media to figure out which could be the best way. And I found – again through my own experience –  that actually laying in the sun and feeling the sun on your skin is one of the best ways to get into your body. So, it’s kind of a conversation between this instrument, embodying us, and our body, consequently influencing the instrument. But it’s still a work in progress.

The Pendulum Always Swings Back to Stillness is a light and sound installation, which you can visit from Friday till Sunday of the festival at Katoenhuis. The exhibition is free of charge. 

Credits:

TouchDesigner Development: Marloes Teunissen
Sound Design: Jeroen Alexander Meijer & Marloes Teunissen

This installation is a commissioned work by Conflux Festival, co-produced by Klankvorm and made possible with the generous support of Mondriaan Fund, Creative Industries Fund NL, City of Rotterdam, Fonds21 and Bevordering van Volkskracht.

 

Bio Jeroen Alexander Meijer

Jeroen Alexander Meijer is an interdisciplinary mindscape artist who navigates psychology, philosophy and cognitive science to create interactive experiences that help us become aware of the mysterious properties of our attention.

His fascination begins with his own attention deficit disorder (ADD) clashing with the hyperdistracting world of today. By practicing the ancient technique of Vipasssana meditation he regained awareness over the subtle and immeasurable power of the mind, inspiring the objective of his work to help audiences all over the world get into similar meditative states and bend their attention back on itself. He achieves this by composing multi-sensory installations that focus deeply on perceiving your own perception, with the ultimate goal of creating a profound sense of how our inner realms intimately influence our outer worlds.

Find more information about Jeroen Alexander Meijer and his work on his website.

 

Programme 2024

  • Performances

    At the heart of Conflux Festival lies an exploration of the intricate connections between art, music, and human sensory perception, reflecting this year’s theme, "Symbiotic Realities." Over four days, the festival's performance programme invites artists to investigate how sound and light shape our experience of reality and interact with our bodies and minds. The program is a dynamic fusion of cutting-edge sound performances, live audiovisual acts, and expanded cinema projects by internationally acclaimed artists, transforming a variety of unique locations across Rotterdam.

    Opening with a free concert at Plein 1940 on Thursday, September 19th, Conflux begins its journey into new sensory realms, inviting the audience to experience how art can create new forms of interaction between humans, technology, and the environment. On Friday and Saturday, the festival moves to Brutus, where the raw and industrial space will serve as a backdrop for performances that merge the image and sound, exploring how technology can both amplify and transform human perception. The program culminates on Sunday, September 22nd, at WORM, within an intimate setting the festival aims to immerse audiences in a deep, sensory dialogue that blurs the boundaries between the natural and the artificial, the digital and the physical.

    Artists

    Click on names for more info

    Casimir Geelhoed & Anni Nöps
    Line-AV 2.0 performance | Thu 19 at Plein 1940
    Zalán Szakács & Teresa Winter
    Lichtspiel: Ars Anaclastica | Thu 19 at Plein 1940
    Alberta Balsam
    Line-AV 2.0 performance | Thu 19 at Plein 1940
    Sara Persico
    Fri 20 at Brutus
    feedbacksociety
    BrKpCm | Fri 20 at Brutus
    Roly Porter & Theresa Baumgartner
    Fri 20 at Brutus
    Zohar & Jeisson Drenth
    Hybrid AV performance | Fri 20 at Brutus
    Fronte Vacuo
    MμRMUR: The Deer | Sat 21 at Brutus
    Edwin van der Heide
    LSP | Sat 21 at Brutus
    Resina
    Sat 21 at Brutus
    Heleen Blanken & Aho Ssan
    Sat 21 at Brutus
    C. Lavender
    Sun 22 at WORM
    Marco Broeders & Julian Edwardes
    The Open Loop | Sun 22 at WORM
  • Exhibition

    Perception is a vital conduit between the external world and our inner experience, shaping the very foundation of how we understand and construct reality. At the Conflux Festival, the exhibition invites artists to explore and challenge these processes by presenting works that offer alternative views on how our sensory systems mediate and sometimes distort our relationship with the world around us. Through abstract fields of light, immersive soundscapes, dynamic video patterns, and innovative interventions, the artists reimagine the boundaries of perception, reflecting on the festival's theme, "Symbiotic Realities."

    "Symbiotic Realities" calls for a deeper reflection on the interconnectedness between human consciousness, technology, and the environment, suggesting that reality is not a fixed concept but a fluid and evolving experience shaped by myriad forces. In this spirit, the exhibition serves as a laboratory for sensory experimentation, where the audience is invited to experience how perception itself can be stretched, reconfigured, or augmented, forging new connections between the organic and the digital, the natural and the constructed.

    Hosted at Katoenhuis, a multifunctional hub for immersive experiences and technology, the exhibition will be open from Friday afternoon, September 20th, through Sunday evening, September 22nd. Visitors will find themselves immersed in a series of experimental light- and soundinstallations and artworks that challenge conventional ideas about how we perceive reality, encouraging them to engage actively with the sensory interplay that defines our existence in an increasingly interconnected world.

    Artists

    Click on names for more info

    Jeroen Alexander Meijer
    The Pendulum Always Swings Back to Stillness | Fri 20 at Katoenhuis
    Renzo van Steenbergen & Kristjan Pütsep
    Portaal | Fri 20 at Katoenhuis
    Macular
    Line-AV 2.0 | Fri 20 at Katoenhuis
    Mariska de Groot & Dieter Vandoren
    LFS2 | Fri 20 at Katoenhuis
    Sabrina Ratté
    Floralia (adapted version for SVNSCRNS) | Fri 20 at Katoenhuis
    Nicky Assmann & Joris Strijbos
    Parallel Strata | Fri 20 at Katoenhuis
    Mint Park
    Composition for Line-AV 2.0 | Fri 20 at Katoenhuis
    Klara Ravat & Saåad
    A-Hora | Fri 20 at Katoenhuis
    Alberta Balsam
    Composition for Line-AV 2.0 | Fri 20 at Katoenhuis
    Fronte Vacuo
    MμRMUR: The Deer | Fri 20 at Katoenhuis
  • Club Night

    For the first time, Conflux Festival 2024 partners with Perron to delve into the nocturnal reality of contemporary club culture with a techno-driven Saturday night programme. This event reimagines the club as a modern urban ritual, a space where boundaries blur and music becomes a medium for collective transcendence.

    Expect a night where sensory experiences and audiovisual elements are unleashed on the dance floor, reshaping the club environment into a dynamic space of connection, transformation, and sonic explorations.

    The event features performances by internationally renowned artists who specialize in blending otherworldly soundscapes with cutting-edge rhythmical structures, creating a sonic laboratory that dissolves the barriers between self and other, reality and imagination.

    In this way, club night becomes more than just a party - it evolves into an essential ritual for contemporary urban life. In a world often fragmented by technology and isolation, the event provides a haven for collective expression, where music, light and movement weave new forms of interconnectedness and understanding. Through this shared, ephemeral experience, “Symbiotic Realities” comes alive, demonstrating how nightlife can serve as a powerful counterpoint to the complexities of the digital age by bringing people together in moments of ecstatic unity.

    Artists

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    DJ Shahmaran
    Sat 00:00 at Perron
    NVST
    Sat 01:15 at Perron
    Legowelt
    Sat 02:30 at Perron
    Nkisi
    Sat 03:30 at Perron
    Talismann
    Sat 04:30 at Perron
  • Conference

    Amid ongoing and expanding conflicts between humans, nature, and machines, Conflux Festival once again aims to serve as a platform for envisioning new models of coexistence and synergy. It seeks to develop symbiotic techno-natural ecosystems that respect diverse modes of understanding and critically engage in conversations about them.

    Conflux Festival 2024's conference programme gathers thinkers, theorists, artists, and performers from the festival to reflect on the theme of Symbiotic Realities. With a special focus on the interconnected nature of perception and reality, the conference presents alternate ways of understanding our diverse and interdependent world, highlighting the symbiotic relationships between humans, machines, plants, and animals. Along the keynote speakers Bogna Konior, Thomas Moynihan and Tessa Verhoef, there will be artist talks by Lavender Suarez, Heleen Blanken and Zalán Szakács.

    The one-day conference programme will be happening on Saturday 21 September at Debatpodium Arminius.

    Artists

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    Eric Parren (moderator)
    Sat 21 at Arminius
    Cecile van Bruggen (moderator)
    Sat 21 at Arminius
    Heleen Blanken (artist talk)
    Sat 21 at Arminius
    Bogna Konior
    Sat 21 at Arminius
    Tessa Verhoef
    Sat 21 at Arminius
    Zalán Szakács (artist talk)
    Sat 21 at Arminius
    Thomas Moynihan
    Sat 21 at Arminius
    Lavender Suarez (artist talk)
    Sat 21 at Arminius
  • Get your tickets

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